The Psychology of Chaos or the Museum of Poetry.
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NARCISSUS GUIDE
The Psychology of Chaos or the Museum of Poetry.
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XX
The Psychology of Chaos in Complex Art or the Museum of
Poetry.*
Stochastic factors are real in our relationships with humans, in our consciousness and in the
whole of Nature itself.
Complex Art is a window-synthesis for the past Millennia of Chaos and Redemption.
Like all psychochemical-biological systems, a stochastic poetry is present in the daily making
of Complex Art.
Chaos as a window on history must be present in all expressions of Complex Art. The 20th
Century as a Chaotic Process, a kind of Techno-Ecological Disaster. War as Mad-Sado Solution.
Art periods as faces of Salvation-Perversion- Perturbations from our own Unconsciousness!.
Sociological issues as true items for the Ugliness of fierce Consumption: the Chaotic
Characterization of a Decadent Sense of Beauty!.
Chaos as Mania of Windows and Facades, as Channels for Nostalgia and Kitsch, as Sexual
Characters of Automatic AI Machines!.
A Necrophilic Chaotic Love of Mirroring our Loneliness. An Insane Stochastic Passion for a
Victorious Lack of Pity.
The Gigantic Crisis of the Big, Enormous Materialistic Self: Victims of our Own Comfort.
Chaos of Objec-tivization.
Chaos of Victims: Psychology of Victimization!.(49)
Chaos of Encircling the Inferno!. Chaos of No Hope!.
Chaos in the Terrestrial of Unconsciousness!.
Colors, textures, shapes, waves, particles, quantum's songs from the Complex Chaos to the
Complex Order!. To the heretics complex controversial visionaries.....
Painting the Complex Chaos of Linearity!.
Decodification of a conformist postmodern individualism.The self-indulgent hysteria.
The Complex Order of Non-Linearity!.
Psychology of Chaos being painted by Chaotic Processes.
Instabilities, BIFURCATIONS, Transitions, Hyper-Analogies and Dualities as Complex-Stochastic
behaviors for a New Aesthetics!.
* Is Poetry Still Possible?, "The second Life of Art". Selected Essays of Eugene Montale.
Translated by J. Galassi.
1982. The Ecco Press. New York. Page 55.
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