XI
Maravilloso
Somewhat, and in order to find new venues for complex beauty
this hyperaesthetics must be complementary-paradoxical...
In fact, if "the classical science were a sharp distinction between
-stochastic (probabilistic) and deterministic behavior"(21)
and New Analogies show this is
very subtly"
associated with Forms of Randomness and Irreversibility
we should apply a new vision also in the process of making a New Art.(How???) In the case of
Painting and Visual Arts c-o-m-b-i-n-i-n-g
"Stochastic Rules with Deterministic ones "
which means
New Analogies Well established
Randomness principles
Chaotic processes from the Past
Complexity Historical-Hysterical
Consciousness ones
Non Linear-Linear Visuality Linear Visual Arts
Complex Matrix Style Matrix*
Or just paralleling the whole art process with "cellular
automata..."(22)
And even complex, playing like a visual metasimulator of
"Quantum Mechanics"...(23) Imaging of a 360 degree spatial metavisuals on which both container and content interplay "boundless random resonations"...
Is it not amazing?...
The consideration about
"the ability to break the disciplinary barriers and to try NEW WAYS of
looking at sometimes long standing problems"(24)
like problems of Unity, Equilibrium, Harmony, Balance, Proportion, Plasticity, Dynamics,
Materials, Flatness, Perspective Immobility, Chromaticity, Reliability, Silence, Movement,
Attractiveness, Emptiness, Seductiveness,Cleanliness, Decorativeness, Cohesiveness,
Meaninglessness, Meaningfulness, Appeal, Frame, Scale, Minisurfaces, etc.,
does propose a whole
SUBVERSION-REV(B)ELATION-
EVOLUTION-REVOLUTION(25)
a new ART-ATTITUDE to celebrate the arrival of the
NEW MILLENNIUM.
M A R A V I L L O S O !
isn't it?...
* Arthur C. Danto, "After the end of art",1997. Princeton University Press. New Jersey. U.S.A.
Page157.
|
|
